Written by Jason Hillenburg, posted by blog admin
Toby
Holguin and his compatriots in Monsieur Job are steadily upping their musical
profile with each new single from their album Bass Passi. The rousing success of the debut single “Chow Chow Eyyy
Pow Pow” preceded subsequent hits of later singles “Pica Pica” and “Nina Shake
Your Body” and led the unit into the final round of Grammy nomination voting. Holguin’s
songwriting vision is the foundational power for Monsieur Job, but his musical
partners fellow Colombians Charlie Illera and Leo Jaramillo join with European
native Stan Kolev to form a kinetic musical attack emphasizing a variety of
influences to make their music work. It works tremendously and sounds like a
natural synthesis of seemingly disparate musical flavors.
The
track runs a little over three minutes in length and begins with terse
keyboards and a restrained vocal. The song’s lyrical content isn’t in English,
but Espanola/Spanish, but open-minded music listeners will find this isn’t any
obstacle to enjoying the track despite any potential language barrier. There
aren’t many of the same sonic flourishes we’ve heard from previous Monsieur Job
tunes, but this simply proves that the band is more than adept at presenting a
number of musical faces for their growing audience. The arrangement is
intensely physical and focuses on a relatively spartan musical accompaniment
nicely balanced against stylish, intensely rhythmic vocals. The song features
the talents of guest Cholo Valderrama in a move that helps push an already fine
number further over the top.
It
certainly more than fits the bill as a winning pop and dance number, but
Monsieur Job are consistently producing music bearing the marks of genuine
substance. The rhythmic values of this single are impossible to deny, but
there’s also solid melodicism driving the song for audiences and the impeccable
construction, likewise, helps make it a winner. The smooth, understated
sensuality of the number is another bonus for listeners and further accentuates
their talents. It is never brazen, rather suggestive, and cozies up to
listeners from the first without ever overwhelming them.