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Written
by Daniel Boyer, posted by blog admin
Flagstaff,
Arizona’s Tow’rs has a relatively slim discography thus far, but already boasts
an outsized reputation on the indie scene thanks to chief songwriter Kyle
Miller’s uniquely personal mix of spiritual concerns, reflection, and
essentially romantic nature. Despite the presence of electronic instrumentation
in the music, there’s something truly pastoral about the sonic feel of the
collection. There are certainly strands of melancholy running through the album’s
nine songs, but it’s always handled with a supremely artful hand. Their latest
album Grey Fidelity keeps its eyes turned skyward, but there’s an inescapable
sense of the cost experience incurs on our lives and it makes for a richer
musical experience.
“Girl
in Calico” is a marvelously evocative opening. The carefully modulated swell of
synthesizer rising from the background is accompanied by delicate guitar
melodies bubbling to the surface of the mix. The dream-like atmosphere of the
song extends to its lyrical content – Kyle Miller proves adept at mixing just
the right amount of specific imagery with more general sentiments. “Revere”
finds him joined on vocals by discreet harmonies by his wife Gretta Miller and
their singing partnership is punctuated by exquisite acoustic guitar and gently
weaving violin lines. This song has a comparatively brighter hue than many of
the songs on Grey Fidelity and placing it early in the album is an intelligent
move. The post-modern folk of “Gold Parade” find the vocal roles reversed with
Gretta Miller leading the way and Kyle providing low-key support. The song has certain
gossamer like qualities at first, never quite settling into a form, but
eventually settles into a quasi near-shuffle with light percussion.
The
elegiac swing of “When I’m Silent” provides the perfect hook for one of the
best songs on Grey Fidelity. There’s a light, ambling country music influence
coming through on this number, as well, but it’s very understated and not a
constant presence. The keyboard work on this track is particularly notable for
the color it provides. “Consolations” has a slinky groove with guitars working
in the background that snap with convincing reverb driven bite. Kyle Miller’s
voice finds the right mood and timing for the groove from the outset. The
chorus is, undoubtedly, one of the biggest payoffs on the album as a whole.
Grey Fidelity concludes with the song “Revelator Man”. The obvious blues
connections bring a level of meaning to the lyric, but the imagery is
definitely all Kyle Miller with its surprising turns of imagery and the
breathtaking specificity he’s capable of conjuring. Tow’rs will expand their
profile a great deal based on the quality of this release and their music is
clearly evolving as the band’s powers, across the board, continue to grow.
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